ABOUT
CONTENTS
EDITORIAL
ARCHIVE
LAGNIAPPE
MAST
SUBMISSIONS
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SOME NIGHTFALLS
by Ethan Paquin
Monday
Vague suggestions buzzing in the basement television bar. "He took me
to Paris," one girl says. She wears a leather vest with a peace button
on it. "And I fucked this dude I picked up at some poetry festival,"
the girl continues. "He took me onto the balcony of the hotel and he
like propped me up on the railing and / yeah / the railing / no it really
didn't / I was too out of it ... " Vaguely hellbent to return to my
room and write lines about her crystalline eyes and powder-blue peace
button.
Tuesday
Cue ball strikes 4 ball -- medium sized-tits over in the corner. The
kind my favorite online chick has in her pussy-eating photos -- they
droop below her and I can see the tiny stretchmarks and birthmarks along
the side of each breast, all the while she's buried nose deep in some
slut with a belly paunch, covered in ink and pierced, everywhere. And
the one who's being burrowed into, her glance is off-kilter, sad frown,
looking out of the frame. The little wings of the earth are growing
tired, I pretend she thinks.
Wednesday
"You are the most amazing woman since Britney Spears," I say, realizing
I'm half-drunk. "That's so nice," she eventually shouts over the bar
noises, sipping from a fruity drink, some greenish thing with an Eiffel
Tower stirrer nodding between the ice cubes. The high drama of pool
tables and sports cable television, everything noise noise noise, hence
urgency urgency urgency.
Thursday
Caught ex-girlfriend's dad talking to his dick, tracing circles on the
broad globe of the head. He must have been a cartographer. No, too ironic.
Now, how to slip out of this room. And, is this the fear of
being ravaged, the fear of the knowledge of receipt.
Friday
"Don't you respect women?" she asks, half-serious, 23. But she's not
a serious-enough feminist to stop rubbing her thick cunt against the
bulge in my khakis. "My parents made me this way," I say. "Don't hate
me because I'm forward." And forwardly one progresses away from the
singularity of his mother and into other women, wet plurality. Obeying
the sharp demands in a woman's writhe, as his father. What if she
dries on me, never to fade away.
Ethan
Paquin, who has graced these pages many times, is
the editor of Slope
and Slope Editions.
His poetry has appeared or is forthcoming in Boston Review, Verse,
Conduit, Volt, and other journals. |