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Brad Evans was born in Sydney, 1971. He was placed into various educational institutions for twenty years, finally escaping in 1997 when poetry became too influential in his life. Some of his latest poems, articles, interviews, and reviews have been, or will soon be, featured in the following magazines (printed / online) and anthologies: Wonderlust (UK), Poetry DownUnder (AUST), The Animist (AUST), The Brobdingnagian Times (EIRE), Skald (UK), Breakfast All Day (UK / FR), Konfluence (UK), Paris / Atlantic (FR), Sivullinen (FNLD), Asphyxia (AUST), Quantum Leap (UK), Zine Zone (UK), Hobo (AUST), Ygdrasil (CAN), Dancing Barefoot (BELG), & (AUST), Apples & Oranges (US), Sanglines (UK), Panic! (UK), Roadworks (UK), Markings (UK), Haggard & Halloo (US), Voices of Liberation (UK), Rising (UK), Black Spring Review (US), Fire (UK), Manifold (UK), Lochs (UK), In Our Own Words (US), Cordite (AUST), Borderlines (UK), Zimmerzine (UK), Slacker (UK), Insurgentz (US), Braquemard (UK), Community of Poets (UK), Angel (UK), Papillon (UK), At Last (UK), Poezine (UK), Big Bridge (UK). Brad is the founder and editor of Red Lamp, a journal for realist, socialist and humanitarian poetry.
West Bank Poetry



Four by Brad Evans



precious silence
would be
my
mandate



it can
get to me,

it can take
just a moment,

on a bus, or
on the street

and just a voice whining,
or a face

will
set me off
and
I will think
of bliss -

a room somewhere
with a little air
( moderate size )

no doors,
telephone,
windows,
or a partner's
jolting commands.

just silence,

silence.



flatmate


she was
a quiet individual

who had

1 a Chinese father
2 an Australian mother

she left her bedroom
only to

drink or eat,
pee or poo

she enjoyed brisk 1am walks
and read the ancients

like

Tacitus,
Horace

and sometimes
a book on Greek myths by Robert Graves.

I remember
her one flash of excitement

had been discovering
that an

ancestor
was killed
in a threshing machine

some time

in the late
nineteenth century.



a non-submissive
submits



she standing,
asks me to kneel

and,
knowing me at a vulnerable time,

I kneel in the way of the
defeated hound.

I look at the wholeness,
the seeming purity
of her whole
exposure

in quiet
mystery & wonder

before I invite
myself
to
lean forward

&
kiss her triangle

of
somewhere

reachable.



there is
a rare woman who
I have loved;


and I remember her
as a rarity -

while we feasted

she
left out

the
dish of guilt

commonly
offered

by
others.

.

Brad Evans



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Four poems, few words, many thoughts.


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