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Two Poems
by Phillip
Griffith
THE WHALES
The first sounds
of exploding were the interior capsules set to
detonate with the soft floss of filter feeding. The whales a soft
where the knife the soft parasitic clinging.
The whales through gumming blubber circumnavigating the scene of the
piled whale bones culled from a shallows. For the sake set ruin to
various
masses called a foliage a shambles bled the centers of capsized whales.
A set of accidents kept them enthralled. A cross section kept an
interested out. The flay of a pinned down sides. They kept the finned
down. The vivisection soon bleating
recognition.
The packed weight hefted a remains. An arm yielded in bricks from
a
coat. Hacked out summons until the spittle cough. The canoe centers.
The whales set a vote of confidence to the quorum. Quailed out a
murmur for history. Sounding the shallows heft a earlier lot of
recipes. Net, mote, sawn fine mince to quarry, under nails. Stored
murmur of shallows sounding. Prawn breened up. Coat breened up. The
whales
from Uptown
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we said absent, evanescent,
becoming supports of
ourselves
engaging digital optics we
said the bus might get us there faster than
around
the corner supplicating the accusers in open court
magisterial interest in each step in
each chandelier suspended over courtyards and streets in
chalked outlines and whispered prosecutions in
chandeliers suspended over oceans and liners nodding toward
the answers being
a con and running the galley or that the con is running our
galley but
sites
immaculately listening set in for response conditioned in 1
the bears kept nosing their ways into the trains 2
the
bears just kept nosing in 4 we
did not want to let the bears in in
visual acuity to notice what was out of place, a totalizing
logic the
total threat of our uptown of said
the witness of said
the accusers process
of polypped artifacts said
strung to informants said witness
safe houses off the harbor and here the safe houses had gone
underground we said the
safe houses are no longer safe
1 the
soft nuzzle of the bears told
us bravely against
the soft nuzzle told us 1
told us to board
the ocean liner 2
told us the doors would not reopen 4
told us
security in fear 4
told us the warm noses
are a fuse, a circuit breaker set
to dark on dark water but
the morning still brought the papers delivered to our doors
the
summons signaled post-machine age machinations set to dark on
darker water our
uptown kept afeared, kept abreast our uptown 1
crawling
out of the sleeve might running from the first lights on the
street side from inside
the bear mask like one of we
said insistent push or we
said we
said the emergency practice exit we
said, the three swaying
lightbulbs leapt the rates of the courage laid out in the contractual
and the outage to face the tunnels lease
dictates a bus route mapped around a stern strung
a mat of fur on the corner, the shoulders outside the last open
club a
backed bar, a swallowed dive a
shoulders set macula and meaty plate docks
not cater the euphorics seemed
upset in the email (cf. prowling for a fuck) we
said all the comfort of release we
said the lists, the confidential contractual agreement 2
the
nosing kept the nuzzle a cheap imitation the
sweaty scent attracted to the costume their
bravado, the soft sinking nuzzle kept
the chandeliers alight the soft marbled venison crawling
across the venison filament
the emergency light kept us to equivocate the salting the
steaks for preservation from the tendon can
tunnel safety through mask
parades we said 3 fear
3 and ceiling vaulted the salting cellars
tied up in the marshes, we logic did not want to let the bears
in we packed the venison response
we said our
flanks of meaty we
said the salt, condition, macula we
said the three not to let the bears in we said all
the slices of venison we
said 1
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Phillip Griffth currently lives in Paris where
he is pursuing a master's degree. |