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CONTENTS
EDITORIAL
ARCHIVE
LAGNIAPPE
MAST
SUBMISSIONS |
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Four
Poems
by Sharon
Kraus
Re-
a series of anecdotes
from which I (this I, an I) might deduce
*
anecdote because how to derive symbol
(boredom with weather
vegetation topography cellular organisms
(their mind of multiplic-)
(O David, with that lump on your throat
swallowing you ) ) as though a river
meant! (divider without ethics)
*
Sometimes I ignore right-from-wrong.
as for the anecdotes, well.
If
someone else loved my child I might
leave
occasionally. That ol' you-and-me-versus,
hello
there. Thought I'd buried that. Recur,
resist
*
Oh, why bother to finish something if you know how it'll
e.g. a biopic say, George Sand, Glenn Gould
just stay for the neurotic bits.
*
Returning
to the stumble-place beside the pebbles
14
times he traversed
leapt
hopped stepped
subsequently,
even then not bored enough to leave, but dis-
tractable
A
measure of how difficult to enter the world
and to remain
*
That's
the song you wanted to dance to,
the
child says to himself
Reveal
: the falsity of
the first person.
Regard
: The capacious second person
(also,
darling, come home, won't you, I addressed my bespoused)
*
The pothole jogged the toy from the child's grasp and upsettedly
out of reach; and though the toy was restored to him, arose a wail:
You want
to go back! meaning, Return to the loss-place!
Meaning, how to live, having been left
(I
allow myself to utter, when he (darling)'s safely away)
(longing
to feel the former desire, I repeat such words)
(inside,
the damage to the world; in its light)
*
Underneath all the mail was the Welcome mat, sodden, refulgent
Not until the letters were lifted did the scent
cause
He's tossing wood chips.
Pile.
Pile.
Usually there's no thing covered up
that one would regard as a
buried thing.
After the chase, I rested.
During
gestation his death
knitted
into each cell
One subject after another
turns out to be not about itself,
accumulating evidence of precursors (the wish for the pure :
In the boat someone taught me
how to hook a minnow : as close to
laterally through one eye through
to the other,
roughly
a T despite
the curve and barb. A highest-pitch note
sustained for
a long (then
the motor started)
Even
before the egg is sparked, it sparks
for
four divisions readyreadyreadyready
he wouldn't come. he ran
down the incline past the sidewalk to the
curb
(our neighbor uses the word naughty,
overlooking its naught-)
I
his father pats his head after a charming refusal
to eat dinner; Sometimes
banging is petting, says the boy
(Sometimes is present the less-rageful parent)
for example,
X times I have permitted myself
to yank him my
hand on his arm
back. Nothing like that feeling. Nothing.
the purpose of sand, though, is to be dirt for the
dump truck. transported to a different site.
bodily herding the cat from its sunsleep,
the boy says, I'm pushing her AWAY. Delight
writes itself on his face. Curtain stripe. Yowl.
I find myself unable to erase my print or my errors. Trying to look
through
I find is looking at. There is the theme of what-to-do-with-dirt
(My mother tried to erase herself but it was her young heart's
cracking that finally did it.
Part ner
The way an egg breaks into the mixture
first it was defined, a whole
then it is in pieces (galaxy)
its structure changed.
I have been given my wish and so should
be happy. Was there a rupture?
(Not an exact correspondence. Nevertheless,
something has broken.)
The wind has been visited upon me. It might
be retribution, or cake.
(batter, ha ha.)
I think the task is to turn from
, but internally, in the chamber the shoulders hunch over,
something solid is revolving
Q: Why liken rage to systems of weather?
A:
A: Well, you get to use the word "front."
A: Afterward, there's aftermath. And the hush
from
downed power lines.
My love, I have lost my love
I said internally on the B41. We
were going to the zoo, my child and I.
Hens, and two hungry sheep moving their lips
and then I yanked the boy away from his spilling the germicidal soap
with its Only One sign. In anger I pulled him
not recalling that he will
Later, painted horses ("'Nanny', gift from Charles Baker, 1968")
gliding up while simultaneously revolving
a cheerful tune I couldn't name
the child rolls into his sleep and
the
way you lean into a door to open
:
press onto through into
oh
nothing said
the husband ("house"). I don't want to talk about it.
said
the husband. I don't want to go there
meaning threat, and the threat of that.
There's
always the analogies to explosive materials
(but
two people are probably not a politics
or
a miner and a purposeful excavation Though "cavity" is right.
)
Bent backwards I hated
him back.
but yearning for the child, sometimes when he's sitting beside me.
cutting out magazine pictures for collage projects, one is presented
with the problem of what to excise (For example, if one dispenses
with the snow
the red Acura looks, not stuck, but still
marionette show
like when the swan and butterfly say
they'll be friends forever the
gesture
introducing a terrible underneath
the wings the
heart
pulsing well, the idea of the heart, anyway
puppets spoken by grownups (we
're
trying to re cover
what was it?
replanting
it in the next us,
the not us, who should be us, who'll be
come us after all, the kids
don't bother about forevering they're threeing, fouring I
wish him to
think of me Another
problem is, how long
is a butterfly's lifespan, after all?
enough
of breathing,
goes the smallest voice
In the darkened house
Why
are you having such trouble saying Thank you?
Can you say?
After a while the butterfly, long tired of creeping upon leaves
& made to consider being stepped on, spits nectar at the flower
sun air
swan finds that the butterfly
ought love its true friend better
and swallows it (off stage perhaps)
The
child sits on the bench
very
still. He's slid away from his mother
there's
a gaping
That night the father walks out the window
has not been opened wide enough it has been repeatedly closed
between life and art are strings
flapping our arms for us our jaws
even
unto death he'll
hate me and go on living
when thwarted he says Go away, mommy; go away forever
replicating the thunder of the mother's rages
and then the next morning, his head in the shirt's neck hole, Are
we going to pennsylvania?
What's in pennsylvania?
pencils
Sharon Kraus' books are Generation
(Alice James
Books, 1997) and Strange
Land (University Press of Florida, 2002); Strange Land
was the finalist for the 2003 William Carlos Williams award (Poetry
Society of America), and an earlier version of the book manuscript
was a finalist in the National Poetry Series, 2000. Individual poems
are forthcoming or have appeared in Denver Quarterly, Diagram,
Slope, Rhino,
Barrow
Street, Quarterly
West, the anthology Poetry
After 9-11 (Melville House Books), and elsewhere. Awards include
fellowships from the MacDowell Colony, the Editors' Choice award from
Columbia, and others. |