ABOUT
CONTENTS
EDITORIAL
ARCHIVE
LAGNIAPPE
MAST
SUBMISSIONS
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BIRTHDAY
by Brandon
Shimoda
All
of the children hide behind the fence in the woods. Through the slender
lengths between slats of fence, they watch the house, risen high at
the top of the yard, beveled roof against the late afternoon sky. Balloons,
all colors, are tied to the railings of the porch, languid bobs against
clapboard siding. The birthday boy stands among them, his back to the
woods and to the children hiding behind the fence.
He stands
on the porch, covering his eyes with his hands. A birthday hat dunce-awkward
atop his short, brown hair. When he drops his hands and turns around,
the yard is empty. Only the yard and the trees around: grass buffed
up by the soft scars of mole tunnels, holes filled with weeds, humus.
A few streaks of white across the sky. The yard tilts down toward the
woods, leveling off at a fence separating property lines.
He steps
off the porch and into the yard. He looks first in all of the obvious
places: under the steps, under the picnic table, in the treehouse, behind
the woodpile. He finds some loose feathers, deer sign. Twigs, thistle,
spent. He has cake in his stomach, turning slowly to acid and bone.
The light of the sun is beginning to fail; a dull hoof across the sky.
Inside
the house, the children's parents sit around, smoking, their jackets
piled up on the stairs. The birthday boy's mother shrugs out a joke
about youth, then laughs. They all laugh.
He picks
up a stick and begins running around the edge of the yard, tapping on
all of the trees. His birthday hat falls off, half covering a mole hole.
He sees the trees, dogwoods humbled at the knees of oaks, its bark close-grained
to the oaks' elder divides. Tulip poplars stand tall and erect, striped
against grey birch trees, clustered. Thick and thin enough around to
hide his friends. He taps on an oak tree with his stick. The bark of
the stick slides loose and falls to the ground.
All of
the children hide behind the fence in the woods. They crouch in the
leaves, watching the birthday boy through the fence. Some of the children
have slunked themselves into the leaves with their backs against the
fence. The children that peer through the fence watch as the birthday
boy weaves himself into the trees, still a ways from their place of
hiding.
Inside
the house, drinks are poured. The birthday boy's father teeters through
a joke about a turtle. Everybody laughs even before the punch line.
The neighbors porch light glimmers on through the trees. He stands still
now, poking at the ground with his stick, poking his stick into the
mole tunnels, poking the soft ground full of holes. He watches as the
stick sinks into the earth, leaving divots, bent weeds. He pokes the
ground and then throws the stick down into the grass. There is a fence
there in the woods, browning, irregular, above which is the tangle of
trees, slanted, necking.
The children
sit behind the fence, staring up into the trees. Two of them, a boy
and a girl, have fallen into owl sleep. The others watch as the birthday
boy walks back up to the house, which is aglow with light from the kitchen,
a single lamp from a corner room, laughter.
A deer
wanders past a snag and stops, raises its ears, curls its front bone-leg.
Its eyes are slate grey.
Brandon
Shimoda's most memorable birthday is the
one in which his friends sacrificed to him the last strawberry Snackwell
in the box while hiking the Appalachian Trail. His writing and art work
can be seen or is forthcoming in Hayden's Ferry Review, Night
Rally, Pindeldyboz, boldBoldBOLD, Pixelboogie,
and baconfinger.com. He currently lives in Brooklyn. |