ABOUT
CONTENTS
EDITORIAL
ARCHIVE
LAGNIAPPE
MAST
SUBMISSIONS
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THESE NERVES
(England, 2002)
by Eula
Biss
The poster for the
anatomy exhibit was everywhere, on all the bus stops and phone booths.
A man with meaty muscles stood holding out his skin in one hand. It
hung from his fingers like dirty laundry. His upturned face was placid
and empty, as if this was all he had left to give.
I
explored my own medieval tunnels. The walls were twenty feet thick and
they did not feel secure. Since she was 31, G.L. has reported being
unable to feel below the level of her nose. I had the "siege
experience." I saw spots and thought I would faint or vomit. I
thought, more than once, "Nothing happens here except for carpet."
Not only is this patient lacking skin sensation, she lacks information
about movement. When she closes her eyes, she has no idea where she
is in space. She moves but doesn't know she is moving. When she wakes
up at night, she doesn't know if she has blankets on her. I was
not hungry, I only wanted to go home. We went to the museum instead.
There was a film in which a woman gave her breath to a man who was lying
in a bathtub full of water. "Mouth to Mouth." He wore a full
suit. There was wax and hair and butter and rotting cloth. I was angry
with B for saying, "I just don't get it." I was thinking,
over and over, "It's simple. It's just visceral."
"These nerves, the researchers concluded, 'are an important
component in the construction of the sense of self.'" I wanted
to be touched. I was angry with myself for suddenly hating minimalist
art. For feeling it stark and impersonal. I was angry with myself for
not feeling grateful to be here. "That said, there were still
aspects of pleasure and emotion that could be transmitted through the
thick fibers in the palm."
Anger and want. Relief and love only when B cried. Even then, he said
coldly, "Go get ready for bed." I followed instructions meekly.
I walked from one gallery to the next. I got on and off the tube. I
got in and out of cabs. I looked right, looked left. I felt fear. A
piano hanging from the ceiling fell open -- the lid flipped down, the
keys sprayed out. I stared numbly into space. I wanted to look out the
window. I wanted to walk across the Millennium Bridge, which no longer
wobbles.
Healthy volunteers in the experiment were divided about whether a
caress on the palm was pleasurable.
Eula
Biss is the author of The
Balloonists (Hanging Loose Press 2002). She is currently working
on a book about happy, unconventional marriages. |