ABOUT
CONTENTS
EDITORIAL
ARCHIVE
LAGNIAPPE
MAST
SUBMISSIONS |
 |
Poem
by Robyn
Art
from,
SECRET LIVES OF BLOW-UP DOLLS
It was not her
thighs as such but the idea of them (that is, the body de facto, viewing
itself
in the mirror and glimpsing the selfsame saggy horror) she felt them
to be lump-like,
squat, at times, downright dwarfish, surreptitiously Biggie-Sized,
the swell of flesh
she deemed her auxiliary ass; moreover, it was not her
breasts but the idea of them-part
useful, part liability when jogging or general bouncingshe had
never paid for them on
the installment plan or used them to give a good whupping, being as
they were, in truth,
pretty downright unremarkable, again, not the body but its facsimile,
the same bunchings,
protuberances, inclinations to weeping and yes, things distinctly
female (squashy,
effluvial, infinitely knock-up-able, prone to tremors and untimely
seepage) in the mark
of that blood, almost arterial, not the body as such but its twin,
not the titty bar heaven as
such but his idea of titty bar as the one true Heaven (and not the
men themselves but the
idea of themselves as Tit Men, Ass Men, or, less commonly, Leg Men)
what he liked was
the idea of the breasts, the have but not hold, useful in a stag-party
sense, there was the
way she wanted to live, not one life but lots simultaneously, in fact
she didnt need to
marry, no, she just wanted to wear that dress
*
(In the way it was her love for himbeautiful, inconvenient,
and uselessit was not his hands as such but the idea
of them, the quickened outlines of his fingers, each
to each, the way the very thought of him shone a light
through the old dumb body, neither consequence
nor cause, to have but not hold, doped to the gills
and whistling
)
*
And because she never had any yen to remain poised, aloft, on the
very
precipice along the woe begotten Alamos of love, no, she wanted
to hunker full down in the slumgullion belly of things, to live not
one life
but lots simultaneously (his hands, yes, and the idea of his hands)
to live someplace you can open the windows of a spring night,
walk daily amongst the hordes of lean-hipped potential inseminators,
to drink long
and deep at the mud-spattered trough and perchance bring forth the
own
horrifying likeness, offspring to which the body may impart its cavernous,
preposterous dreams
*
She was to be, by turns, bloated, somnolent, relentlessly mammalian,
a regular at the all-night, never-close, twenty-four-hour-giveaway
of love, and though there was the past and its dilapidated scree (the
other
loves, the ones with vans and spidery tattoos) she never meant to
stay
this long, unencumbered, the future a darkened smudge like blunt-edged
eyeliner over the lid, the old dreams like rotted fruit, crumpled
receipts
at the back of a drawer, it was true, she had only the most modest
of hopes, that is, firm thighs and the adulation of multitudes, to
live not one
life but lots simultaneously, at the end of the gate be able
to say Ill tell you, Ill tell you what
.
*
It was not him as such but the idea of him, existing only as such
could exist-imagined-the way nothing exists as imagined,
at times, she seemed to be without skin, that is, positively sans
skin,
as if she could live not one life but lots simultaneously, shed
come
to look at him as if at a great remove, as if through water,
and always, through that crazy ol thang called love, still the
old
shell of the body goes on finagling free drinks at the bar, one contentious
s.o.b., still getting its panties all in a bunch, at the Dawning
of the Apocalypse it will be waxing its selfsame groin, not much
to show for the Kingdom of Heaven save a freshly denuded crotch,
for it was never the past as such but a house sold out from under,
the future
not knocking exactly, but amovin eva so close
Robyn Art's work has appeared or is forthcoming
in Conduit, Slope, The Hat, Alice Blue, Glitter Pony, The New Delta
Review, Segue, Gulf Coast, La Petite Zine, Unpleasant Event Schedule,
Tarpaulin Sky, Coconut, Mipoesias, and canwehaveourballback.com.
Her first poetry collection, The
Stunt Double In Winter, was selected as a Finalist for the
2005 Sawtooth Poetry Prize and will be published by Dusie Press in Fall
2007. She is the author of the chapbooks Degrees of Being There
(Boneworld Press 2003) Vestigial Portions of the Dead Sea Scrolls
(Dancing Girl Press, September 2006) the text/visual collaboration Scenes
From The Body (Dancing Girl Press, May 2007) and the online chapbook,
The
Last Time I Saw Bonnie Blue
(ensemblejourine.com, May 2007. |