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CLOWNFISH, ANEMONE
megan pugh
Some mornings you jump out of bed and it’s so bright
you start dancing before you even have time to put on
a tropicalia record. More often we make bargains:
wake me up in twenty minutes and I’ll practice the accordion
and scramble eggs, or I’ll keep your memories
if you keep mine, forgetting a form of increased
dependence, as in Without his Palmpilot he’s useless,
We turn to history for political instruction, I need you
more than my own childhood. With you I learned to salt
my foods, pronounce certain words (quinoa, phenomenology,
slough off) and the differences between pool cages and screens
before I ever saw one. At the costume party you said
angels cried on newly mown lawns. Down here we get
the real in a piece with the mythic: alligators
blocking the bicycle path like the droves
Bartram would’ve used for stepping stones except
they revolted with teeth. Even Frankie and Albert existed
(Saint Louis, 1899) but I promise to wrestle what we can’t
outrun zigzag. Try stamping that on a quarter.
PAGE 19
LA PETITE ZINE 26 · WINTER WARMER
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Megan Pugh was born and raised in Memphis, and now lives in California, where
she's finishing her Ph.D. at U.C. Berkeley. Her poems have appeared or
are forthcoming in DENVER QUARTERLY, THE OXFORD AMERICAN, ZYZZYVA, and
WEB CONJUNCTIONS. She has also written criticism for
PLEIADES, FLYP, and AFRICAN AMERICAN REVIEW, and ENTERTAINMENT WEEKLY online.
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