CURRENT ISSUE

PAST ISSUES

ABOUT LPZ

MASTHEAD

LAGNIAPPE

CONTACT

SUBMIT

CLOWNFISH, ANEMONE

megan pugh




Some mornings you jump out of bed and it’s so bright
you start dancing before you even have time to put on

a tropicalia record. More often we make bargains:
wake me up in twenty minutes and I’ll practice the accordion

and scramble eggs, or I’ll keep your memories
if you keep mine, forgetting a form of increased

dependence, as in Without his Palmpilot he’s useless,
We turn to history for political instruction, I need you

more than my own childhood. With you I learned to salt
my foods, pronounce certain words (quinoa, phenomenology,

slough off) and the differences between pool cages and screens
before I ever saw one. At the costume party you said

angels cried on newly mown lawns. Down here we get
the real in a piece with the mythic: alligators

blocking the bicycle path like the droves
Bartram would’ve used for stepping stones except

they revolted with teeth. Even Frankie and Albert existed
(Saint Louis, 1899) but I promise to wrestle what we can’t

outrun zigzag. Try stamping that on a quarter.









PAGE 19

LA PETITE ZINE 26 · WINTER WARMER

LAST PAGE · NEXT PAGE


CONTENTS


Megan Pugh was born and raised in Memphis, and now lives in California, where she's finishing her Ph.D. at U.C. Berkeley. Her poems have appeared or are forthcoming in DENVER QUARTERLY, THE OXFORD AMERICAN, ZYZZYVA, and WEB CONJUNCTIONS. She has also written criticism for PLEIADES, FLYP, and AFRICAN AMERICAN REVIEW, and ENTERTAINMENT WEEKLY online.