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Three Poems My first
ambition was to make a film to be premiered on a small black and white
television set, in the middle of a party, on a kitchen counter, and
muted, which would be no problem at all, for the film would have been
shot without sound anyway. The actors would not even pretend to be
talking. For a time I thought the noise of the party could substitute
for the lack of sound: dropped bottles, sing-a-longs, heavy breathing
a constant sense of novelty which, if one does not abandon
it, leads to a sort of peace, which then turns into a monotony interrupted
only by interludes of quiet, which are now, of course, charged. At
this point, my film would be shown, but without any dialogue in the
film, the party-people would be forced to talk to one another, which
is always a disaster. But I think they wouldnt mind the lack
of sound if they understood the visual language: open curtains means
the heroine has second thoughts, ducks on the pond and we know the
hero is still alive, and so on. A lover gives the other a cross-eyed
look, which means: I cant believe you are afraid to die.
Tony Tost has poems coming out soon in Black Warrior Review, Good Foot, No, and Unpleasant Event Schedule and has had poems in Fence and Spinning Jenny. His first book, Invisible Bride, was selected by CD Wright for the Walt Whitman Award. He also co-edits an online magazine called Octopus. The three prose poems are from Invisible Bride. |